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Dance Luminary Matthew Ball on Demanding Parts and Social Media Attention: 'I Don't Feel Protective About My Body'

In the quiet ambiance of a lounge near London's Royal Ballet, Matthew Ball orders a mint tea. The dancer's carriage is effortlessly upright, his arms defined beneath a simple tee. On stage, dancers can seem as powerful gods, yet frequently offstage they are petite. This is not true for Ball, whose height is one reason for his demand for princely roles and pas de deux work. Possessing fine features and intense eyes, there's a hint of Robert Pattinson about him.

A Seamless Rise to the Top

At 31, Ball is enjoying the crest of a career that has advanced seamlessly. Growing up in Liverpool, he faced little ridicule for his early interest in ballet. Joining the esteemed training institution at 11, he moved directly into the troupe and was promoted annually, reaching the top rank of lead dancer in 2018. He has relished tackling meaty characters, particularly the emotional angst found in a famed choreographer's ballets.

"Your lungs are burning, your legs get heavy, but it’s really a neural fatigue."

Ball's next starring role is as himself, in an "Evening With" event aiming to offer intimate insights into a dancer's craft. He will guide the audience through a role, showing his cognitive workflow while performance. Yet in more comedic ballets, the challenge is significant. "A classic ballet is one of the toughest from a skill perspective," he states.

The Mental Game and After the Show Emotions

What about after a show, when he has succeeded? "It feels pretty good," he says. "But because I'm trying to squeeze all the emotion out of it, and get lost in the role, quite often I do feel embarrassed later. Following an intense role I'm always like: God, what must people think?"

In person, Ball is reflective, polite, and prone to laugh at himself. But a choreographer previously observed on a "kind of suffering in him." Is there? "I'm quite energetic usually, but I do have a dark side," he reveals. "I kind of enjoy pessimism sometimes. I've always felt that doubt has been an catalyst for positive change."

Early Drivers and Creative Inspirations

His determination originated in youthful setbacks. Not doing well in contests at school made him "vengeful!" This became fuel to demonstrate he could succeed. Discovering the book *Mao's Last Dancer* was a "pivotal" moment. "It flipped a switch, it made me go a bit obsessive," he remembers.

An upcoming challenge is making his own choreography. For Ball, "organic movement has value." "Breaking the conventions is interesting, but just acting that they’re not a reality any more – I don’t know how far you can go with that." He aims his work to be filled with substance, drawing ideas from literature, compositions, and art.

Close-Up Performance and Personal Partnership

He also favors presenting dance in more intimate spaces. "It was just really exciting," he says of a previous show. "You’re so near to the viewers. I felt as if they were thinking: 'That’s a person, and they’re sweating.'"

Ball has made duets with his partner, fellow principal Mayara Magri. The degree of trust between them is evident. "We tried it out on the beach first," he says of a audacious lift. "It was like Dirty Dancing." The couple aren’t usually paired on stage at their home company, which might be beneficial. "We’re both quite determined people, so it’s not always smooth sailing," he admits. "But I feel like we’re each other’s biggest supporter."

Regarding Instagram and Bodily Image

On Instagram, fans can see videos from his projects and photos that highlight a sculpted physique. Does he mind that the engagement can be a bit focused on appearance? Not particularly. "The body is just what we work with, so I don’t feel very protective about it," he states. He relates it to viewing Michelangelo’s David—something that can be interpreted on multiple ways.

Ball characterizes his early self as "eager for success." Has it lived up to his hopes? "I feel very aware of how life is a different reality to the aspirations you had as a child," he reflects. He probably has about decade of performing left. "I suppose in the future, I want to be a bit more kind with myself."

About the author

Terry Wilkerson

A seasoned gaming technology analyst with over a decade of experience covering slot machines and casino software innovations across Europe.

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